{"id":4582,"date":"2023-05-17T21:30:42","date_gmt":"2023-05-17T09:30:42","guid":{"rendered":"https:\/\/thebuzz.apnanetwork.co.nz\/?p=4582"},"modified":"2023-05-17T21:30:42","modified_gmt":"2023-05-17T09:30:42","slug":"catherine-chidgey-wins-major-prize-at-2023-ockham-new-zealand-book-awards","status":"publish","type":"post","link":"https:\/\/thebuzz.apnanetwork.co.nz\/?p=4582","title":{"rendered":"Catherine Chidgey wins major prize at 2023 Ockham New Zealand Book Awards"},"content":{"rendered":"<p>A &#8216;powerfully compelling&#8217; novel narrated by a cheeky magpie called Tama has flown off with New Zealand&#8217;s top literary prize.<\/p>\n<p>The Axeman&#8217;s Carnival, by Ng\u0101ruaw\u0101hia-based writer Catherine Chidgey, has won the $64,000 Jann Medlicott Acorn Prize for Fiction at the 2023 Ockham New Zealand Book Awards.<\/p>\n<p>Fiction judge convenor Stephanie Johnson said the novel, which details the inner workings of a deteriorating marriage from the perspective of Tama the magpie, is &#8220;a powerfully compelling read from start to finish&#8221;.<\/p>\n<p>&#8220;The unforgettable Tama &#8211; taken in and raised by Marnie on the Te Waipounamu high country farm she shares with champion axeman husband Rob &#8211; constantly entertains with his take on the foibles and dramas of his human companions. Catherine Chidgey&#8217;s writing is masterful, and the underlying sense of dread as the story unfolds is shot through with humour and humanity,&#8221; Johnson said.<\/p>\n<p>The Axeman&#8217;s Carnival, published by Te Herenga Waka University Press, is Chidgey&#8217;s seventh novel. She is the first writer to win the major prize twice &#8211; in 2016, she won the Acorn Foundation Fiction Prize in 2017 for her fourth novel, The Wish Child.<\/p>\n<p>Alice Te Punga Somerville (Te \u0100ti Awa, Taranaki) won the Mary and Peter Biggs Award for Poetry for Always Italicise: How to Write While Colonised (Auckland University Press).<\/p>\n<p>&#8220;Always Italicise stood out amongst a very strong field for its finely crafted, poetically fluent and witty explorations of racism, colonisation, class, language and relationships,&#8221; said poetry category convenor Diane Brown. &#8220;It&#8217;s a fine collection, establishing and marking a new place to stand.&#8221;<\/p>\n<div class=\"photo-captioned photo-captioned-half photo-right four_col \"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/rnz-ressh.cloudinary.com\/image\/upload\/s--77fW1_-6--\/ar_16:10,c_fill,f_auto,g_auto,q_auto,w_576\/v1660780061\/4LMUZEG_Nick_Bollinger_composite_cred_supplied_and_Robert_Cross_png\" alt=\"Nick Bollinger and the cover of his new book Jumping Sundays.\" width=\"576\" height=\"360\" \/><\/p>\n<p class=\"photo-captioned__information\"><span class=\"credit\">Photo:\u00a0Supplied \/ Robert Cross<\/span><\/p>\n<\/div>\n<p>Broadcaster, music critic and author Nick Bollinger won the Booksellers Aotearoa New Zealand Award for Illustrated Non-Fiction for Jumping Sundays: The Rise and Fall of the Counterculture in Aotearoa New Zealand (Auckland University Press).<\/p>\n<p>Category convenor Jared Davidson described Jumping Sundays as a triumph of production and design.<\/p>\n<p>&#8220;A joy to read and to hold, Jumping Sundays is a fantastic example of scholarship, creativity and craft.&#8221;<\/p>\n<div class=\"photo-captioned photo-captioned-half photo-right four_col \"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/rnz-ressh.cloudinary.com\/image\/upload\/s--tXDlzZMm--\/ar_16:10,c_fill,f_auto,g_auto,q_auto,w_576\/v1666304919\/4LJKK5A_Ned_Fletcher_composite_Supplied_jpg\" alt=\"Ned Fletcher\" width=\"576\" height=\"360\" \/><\/p>\n<p class=\"photo-captioned__information\"><span class=\"caption\">Ned Fletcher\u00a0<\/span><span class=\"credit\">Photo:\u00a0Supplied<\/span><\/p>\n<\/div>\n<p>The General Non-Fiction Award went to historian and lawyer Ned Fletcher for his work, The English Text of the Treaty of Waitangi (Bridget Williams Books).<\/p>\n<p>Category convenor of judges Anna Rawhiti-O&#8217;Connell said Fletcher&#8217;s &#8220;meticulously constructed work of scholarship&#8221; will shift and inform modern debates about the intentions of those who constructed and signed the Treaty.<\/p>\n<p>&#8220;Fletcher&#8217;s comprehensive examination sheds new light on the document&#8217;s implications and contributes fresh thinking to what remains a very live conversation for all of us that call this country home.&#8221;<\/p>\n<p>The Poetry, Illustrated Non-Fiction and General Non-Fiction category award winners each took home a $12,000 prize.<\/p>\n<p>Four Best First Book Awards were also presented at the ceremony. Winners received $3,000 and a 12-month membership subscription to the New Zealand Society of Authors.<\/p>\n<p>Home Theatre by Anthony Lapwood (Ng\u0101ti Ranginui, Ng\u0101i Te Rangi, Ng\u0101ti Whakaue, P\u0101keh\u0101) won the Hubert Church Prize for Fiction. We&#8217;re All Made of Lightning by Khadro Mohamed was awarded the Jessie Mackay Prize for Poetry. The Judith Binney Prize for Illustrated Non-Fiction went to Christall Lowe (Ng\u0101ti Kauwhata, Tainui, Ng\u0101ti Maniapoto) for Kai: Food Stories and Recipes from my Family Table. Grand: Becoming my Mother&#8217;s Daughter by Noelle McCarthy, won the E.H. McCormick Prize for General Non-Fiction.<\/p>\n<p>Source RNZ<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A &#8216;powerfully compelling&#8217; novel narrated by a cheeky magpie called Tama has flown off with New Zealand&#8217;s top literary prize. The Axeman&#8217;s Carnival, by Ng\u0101ruaw\u0101hia-based writer Catherine Chidgey, has won the $64,000 Jann Medlicott Acorn Prize for Fiction at the 2023 Ockham New Zealand Book Awards. Fiction judge convenor Stephanie Johnson said the novel, which [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":4583,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[174],"tags":[],"class_list":["post-4582","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nz-news"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/posts\/4582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4582"}],"version-history":[{"count":1,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/posts\/4582\/revisions"}],"predecessor-version":[{"id":4584,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/posts\/4582\/revisions\/4584"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/media\/4583"}],"wp:attachment":[{"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}