{"id":15599,"date":"2025-11-07T10:00:56","date_gmt":"2025-11-06T21:00:56","guid":{"rendered":"https:\/\/thebuzz.apnanetwork.co.nz\/?p=15599"},"modified":"2025-11-07T10:00:56","modified_gmt":"2025-11-06T21:00:56","slug":"password-to-louvres-cctv-network-was-recently-just-louvre","status":"publish","type":"post","link":"https:\/\/thebuzz.apnanetwork.co.nz\/?p=15599","title":{"rendered":"Password to Louvre&#8217;s CCTV network was recently just &#8216;LOUVRE&#8217;"},"content":{"rendered":"<p>It&#8217;s the smoking gun behind\u00a0<a href=\"https:\/\/www.cnn.com\/world\/europe\/timeline-louvre-robbery-intl-latam-vis\">the most spectacular heist<\/a>\u00a0this side of the Millennium.<\/p>\n<p>A French court released a report Thursday slamming the leadership of the Louvre for its focus on headline-grabbing purchases and renovation projects over maintaining the security of one of the world&#8217;s largest museums.<\/p>\n<p>The audacious daytime robbery, which saw\u00a0<a href=\"https:\/\/www.cnn.com\/2025\/11\/03\/europe\/louvre-heist-petty-criminals-scli-intl\">four men walk away w<\/a>ith priceless historic jewellery, was a &#8220;deafening alarm signal&#8221;, Pierre Moscovici, president of the Court of Accounts, which authored the report, told journalists Thursday.<\/p>\n<p>Echoing the report, which was commissioned before the 19 October heist, he said that the museum leadership had prioritized &#8220;visible and attractive&#8221; projects, like art purchases and revamping the museum layout at the detriment, notably, of the Louvre&#8217;s security.<\/p>\n<p>Since\u00a0<a href=\"https:\/\/www.rnz.co.nz\/news\/world\/576364\/robbers-steal-priceless-jewels-from-louvre\">the heist<\/a>, information has resurfaced showing that gaps in security appear to have been known for years &#8211; including a 2014 warning that alleged one of the museum&#8217;s key passwords was simply &#8220;LOUVRE&#8221;. The new report only adds to a number of security failings exposed by the heist.<\/p>\n<p>So what went wrong?<\/p>\n<h3>Eyes on<\/h3>\n<p>Within four minutes of arriving at the outside wall of the Louvre, the thieves had scaled the building and were breaking through a window. Only then were internal alarms triggered. Four minutes later, after breaking into a reinforced case and grabbing nine pieces of historic jewellery, the thieves were making their escape.<\/p>\n<p>&#8220;The weaknesses of the protection of our perimeter are known and identified,&#8221; Louvre director Laurence des Cars told lawmakers after the heist.<\/p>\n<p>Internally too, the situation seems stark.<\/p>\n<p>For the Louvre&#8217;s 465 museum galleries, security staff had only 432 CCTV cameras to monitor the interior in 2024, according to the report. While that&#8217;s a nearly 50 percent increase on the number available in 2019, it still left 61 percent of the galleries without any CCTV coverage.<\/p>\n<p>The world&#8217;s largest museum, the Louvre covers some 652,300 square feet (60,000 square metres).<\/p>\n<p>In comparison, the Detroit Institute of Arts boasts a similar footprint (including a theatre and recital hall) but has over 550 CCTV cameras,\u00a0<a href=\"https:\/\/www.axis.com\/customer-story\/dia-museum-modular\">according to camera manufacturer Axis<\/a>.<\/p>\n<p>Des Cars told French senators that she envisions a doubling of the number of cameras within the 37-hectare Louvre property in the years to come.<\/p>\n<p>In its recommendations, the Court of Accounts&#8217; report stressed the need for the Louvre to &#8220;strengthen its internal control function, which remains underdeveloped for an institution the size of the Louvre.&#8221;<\/p>\n<h3>Foolproof cybersecurity<\/h3>\n<p>The holes in the Louvre&#8217;s security weren&#8217;t all physical. In the virtual realm its track record left much to be desired.<\/p>\n<p>A 2014 report from the French information security agency (ANSSI) seen by French daily Liberation claimed that the password for the server managing the museums&#8217; sprawling CCTV network was simply &#8220;LOUVRE&#8221;. Access to software managed by the security technology company Thales was protected by a similarly foolproof password: &#8220;THALES&#8221; &#8211; according to Liberation.<\/p>\n<p>In the security audit, ANSSI reportedly recommended the Louvre boost its cyber security as well as move away from outdated software that could jeopardize its protective stance.<\/p>\n<p>ANSSI did not deny the report to CNN but added that the audit &#8220;cannot be considered representative of the current level of security&#8221; of the Louvre&#8217;s IT systems.<\/p>\n<h3>Bling, bling<\/h3>\n<p>The report focused on the museum&#8217;s budgetary priorities in recent years, which saw some \u20ac27 million (NZ$55m) spent on maintenance works between 2018 and 2024, with a further \u20ac60m (NZ$123m) on restoration of the Louvre palace.<\/p>\n<p>In contrast, that period saw the Louvre splash double that figure on altering the museum layout and buying up artworks.<\/p>\n<p>The museum spent \u20ac105m (NZ$215m) on artworks in the six years to 2024, sweeping up 2754 pieces in that time.<\/p>\n<p>In 2021, the Louvre\u00a0<a href=\"https:\/\/mini-site.louvre.fr\/trimestriel\/2022\/Bilan_des_acquisistions_2021_SP\/6\/\">spent<\/a>\u00a0some \u20ac5m (NZ$10.4m) on two works by French Rococo painter Jean-Honor\u00e9 Fragonard. In April 2025, the Louvre made a \u20ac2.2m (NZ$4.5)purchase of an &#8220;exceptional&#8221; Faberg\u00e9 triptych.<\/p>\n<p>Many of the Louvre&#8217;s purchases are clouded in a certain secrecy, particularly regarding the purchase price. The Court of Accounts&#8217; report said the Louvre should pay greater attention to the price of acquired works and specifically warned the museum against buying art works at a higher price if they were sold at auction for less than two years prior.<\/p>\n<h3>Heads firmly in place<\/h3>\n<p>In contrast to the focus on glitzy, eye-catching purchases, the damning report notes astonishing delays to work on the Louvre&#8217;s security infrastructure. Recommended security upgrades from a 2015 audit still won&#8217;t be completed until 2032, it revealed.<\/p>\n<p>The report examined nearly eight years of museum operations across periods helmed by two executives.<\/p>\n<p>At the time of publication, no executives (or other staff) have been fired or resigned over the theft.<\/p>\n<p>The offer of des Cars to resign as museum director was not accepted by French Culture Minister Rachida Dati.<\/p>\n<p>Dati &#8211; known as something of a political bulldog in France &#8211; has aggressively defended the Louvre since the embarrassment of the 19 October heist.<\/p>\n<p>&#8220;Did the Louvre Museum&#8217;s security measures fail? No, they didn&#8217;t. It&#8217;s a fact. The Louvre Museum&#8217;s security measures worked,&#8221; she told lawmakers on 21 October.<\/p>\n<p>The following day, Macron requested an acceleration of improved security measures at the museum.<\/p>\n<p>The following week, Dati had softened her tone, admitting to French senators that although installed security systems had functioned and staff had followed protocol &#8220;to the letter,&#8221; the &#8220;spectacular theft&#8221; was obviously a failure for the museum.<\/p>\n<p>&#8220;Security failures did indeed occur,&#8221; she said.<\/p>\n<p>Source: CNN &amp; RNZ<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s the smoking gun behind\u00a0the most spectacular heist\u00a0this side of the Millennium. A French court released a report Thursday slamming the leadership of the Louvre for its focus on headline-grabbing purchases and renovation projects over maintaining the security of one of the world&#8217;s largest museums. The audacious daytime robbery, which saw\u00a0four men walk away with [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":15600,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[177],"tags":[],"class_list":["post-15599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-world"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/posts\/15599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15599"}],"version-history":[{"count":1,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/posts\/15599\/revisions"}],"predecessor-version":[{"id":15601,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/posts\/15599\/revisions\/15601"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=\/wp\/v2\/media\/15600"}],"wp:attachment":[{"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thebuzz.apnanetwork.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}